Due to a string of crazy life changes this summer, I’ve had something of a summer hiatus from playing and coaching. I miss it. I hope to dive back in soon. In the mean time, I’ve been taking pictures at Open Source shows.
Watching a show through a camera lens makes it obvious why I like the troupes I like: They make the stage look interesting. When I look through the snapshots later, I never wonder, “Which scene was that?” because the scenes had distinct looks. The snapshots would make interesting fodder for caption contests.
If all of my pictures from the troupe are of two people, standing or sitting a comfortable arm’s length apart from one another, cheated out slightly, I probably won’t remember much about the show. It won’t have made any kind of impression on me. The players were talking heads who might as well not have had bodies at all.
If you get a chance to see a show at the i.O Cabaret, notice the stage floor. There are two worn out spots right in the middle from people always standing/sitting in the same safe spot.
This isn’t just about keeping someone like me interested in the show; how the show looks is usually indicative of how well a troupe works together. I’ve heard Jet Eveleth say that she doesn’t know which comes first, interesting stage pictures or good group mind. But group mind seems amorphous and vague, and stage pictures are concrete and manageable.
So instead of making your goal, “I want to experience amazing group mind in my troupe tonight,” try, “I want to help the stage look interesting tonight.” That gives you something practical to DO instead of a feeling to chase after.